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Jane Ingram Allen Art Projects

~ Recent Art Projects by Jane Ingram Allen in Hand Papermaking and Environmental Art

Jane Ingram Allen Art Projects

Tag Archives: sculpture

“Jane Ingram Allen – Handmade Paper Art” Exhibition in Santa Rosa, now through May 30, 2025

11 Friday Apr 2025

Posted by janeingramallen in Uncategorized

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California, environmental art, fiber art, handmade paper art, installation art, Jane Ingram Allen, papermaking, plants for papermaking, Santa Rosa, sculpture, Spring Lake Village

My exhibition of 80+ handmade paper artworks created in Santa Rosa and at artist residencies around the world are on view at Spring Lake Village Art Gallery, 5555 Montgomery Drive, Santa Rosa, CA, till May 30, 2025. The show is open every day for viewing, and visitors should contact Spring Lake Village Art Committee Member, Les Saldanha, saldanhales@hotmail.com or cell phone 707-367-1874.

The opening reception is Saturday, April 12, 3:45 to 5PM with an Artist Talk in the Auditorium and reception in the Art Room immediately following.

Here are some photos of the exhibition at Spring Lake Village taken by my husband Timothy S. Allen.

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Spring 2019 Papermaking Art Classes in Santa Rosa, CA

18 Monday Feb 2019

Posted by janeingramallen in Uncategorized

≈ 2 Comments

Tags

art, color and hand papermaking, environmental art, grants and artist residencies, handmade paper, papermaking, plant fibers, pulp, sculpture, workshops

Announcing Spring 2019 Papermaking Art Classes
with Jane Ingram Allen
at Studio Santa Rosa, 3840 Finley Ave., Santa Rosa, CA, Building 32, Studio 107
Contact Jane by phone 857-234-2432 or email info@janeingramallen.com

Learn in an environment surrounded by original artworks that were created using the techniques being taught in the workshops.

Class size is limited to 4 people, and all materials and equipment are provided.

 

 

About the Instructor:
• Award winning international artist and hand papermaking expert with 40 years of experience.
• Papermaking teacher and resident artist in Japan, Taiwan, China, Nepal, Thailand, Indonesia, Turkey, Tanzania, France, England, Brazil, and the US. Fulbright Scholar Award artist in Taiwan and Fulbright Specialist artist in Turkey.
• Trained in traditional Japanese papermaking in Japan, and taught papermaking while living in Taiwan and Asia for 8 plus years.
• Former Art professor at SUNY, Morrisville, NY, and College of St. Rose, Albany, NY. Former textile Arts instructor at Foothill College and Canada College in the San Francisco Bay Area.
• Taught papermaking workshops in US at Women’s Studio Workshop, Peter’s Valley School of Crafts, Morgan Conservancy, Sitka Center for Art & Ecology, Queens Botanical Garden, Brookfield Craft Center, Mass Audubon and others.
• For more information visit Jane’s Blog at https://janeingramallen.wordpress.com and her website at http://www.janeingramallen.com

Classes in Spring 2019

Introduction to Hand Papermaking: Explore Western and Asian techniques of hand papermaking including sheet forming, pressing and drying as well as techniques of laminating, embedding and watermarking. Learn how papermaking can be used for a variety of art creations (2-D and 3-D) and make an array of handmade papers using cotton, abaca, kozo and local plant fibers.
• Saturday, March 30, 10AM to 4PM.
• Fee: $125 – Materials and equipment provided

Color and Hand Papermaking: Create your own handmade paper with colored pulps using Western and Japanese techniques. Learn to use dyes and pigments to color pulp as well as natural dyes and the natural color of different plant fiber pulps. Your handmade paper can be used for painting or drawing with watercolors, inks, dry media, acrylics, oil, encaustic and other techniques, as well as creating the art with the colored pulp. We will create paper sheets up to 11” x 17” using a variety of fibers that have unique textures and colors. We will learn pulp painting and other techniques for creating imagery with paper pulp as well as applying mixed media painting techniques on the handmade paper.
Saturday, April 27, 10AM to 4PM.
• Fee: $125 – Materials and equipment provided

Plants to Paper: Learn how to make handmade paper from local plant waste materials such as leaves and bark of common local plants. This class will cover how to make paper from “scratch” using materials found locally and easily available equipment and supplies and sustainable methods. We will identify, gather, cook, beat and form handmade paper from a variety of local plants to create unique place-connected handmade papers with a variety of natural colors and textures. We will create sample books and compile records and recipes for making paper from local plants.
• Saturday and Sunday, May 4 and 5, 10 AM to 4 PM each day
• Fee: $200, materials and equipment provided

Getting Grants and Residencies: Learn to find and make wining applications for a grant or residency. In this open session for all artists, with individual coaching and Q & A, Jane will share her experiences getting grants for residencies, public art projects and research and art making opportunities internationally. Jane has received grants from state, local and national foundations, arts councils, museums and public art commissions as well as three Fulbright Awards and grants to do artist-in-residencies in Japan, Nepal, Indonesia, Tanzania, China, Taiwan, Turkey and other countries as well as in the USA. Participants in this workshop, should bring examples/images of their artwork, a resume and artist statement and printed out information about any opportunities you are thinking about applying for. Bringing your own laptop would also be good for this workshop.
• Saturday May 11, 10AM to 4PM
• Fee $100

Sculptural Papermaking: Learn to make handmade paper sculptures and installation art using a variety of plant fibers and combining hand papermaking with various sculpture techniques, such as casting, embossing, molding, constructing, building over armatures and modeling. We will create handmade paper sculptures and mixed media works using pulps made from abaca, kozo (mulberry bark), cotton, and other locally collected fiber plants. Using three-dimensional techniques and natural colors and textures from the various plant fibers, expand your horizons and discover new possibilities in sculpture.
• Saturday and Sunday, May 18 and 19, 10AM to 4PM.
• Fee $200 – Materials and equipment provided

Papermaking Studio Rental: Jane’s Papermaking Studio is available for your personal use (weekdays or weekends) at a fee of $15/hour (minimum of 4 hours). To rent the studio you are required to take at least one workshop with Jane and attend a special session by phone or email about using the studio and materials. Jane will prepare materials and be there for consulting. You will have use of the studio space and Jane’s equipment. Materials cost will depend on what pulp and other materials from Jane are used and will be discussed at the studio session.

To Register for a class: contact Jane at info@janeingramallen.com or phone 857-234-2432.  Look for more classes to be announced here in Summer and Fall.

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Jane’s Art Installed at Boston Harbor Islands National Park Welcome Center, Long Wharf, Boston, MA

20 Tuesday Sep 2016

Posted by janeingramallen in Uncategorized

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Tags

Boston Harbor Islands National Park, Boston Harbor Now, eco-art, endangered birds, environmental art, hand papermaking, handmade paper art, installation art,, invasive plants, Peddock's Island, sculpture, water birds

I am back in Santa Rosa, California now after almost two months on the East Coast.  It was great to see things in Boston and New York City, but also nice to be back in California.  I wanted to share some additional photos of my handmade paper artwork installed in Boston.  Please see my previous posts for more about the process and how this artwork was created on Peddock’s Island, Boston Harbor Islands National Park.

img_0852 img_1578 img_1581 img_0844

During my August 17 – 25, 2016, Artist in Residency Project at Boston Harbor Islands National Park, Peddock’s Island, I created a handmade paper artwork that is now installed at the Boston Harbor Islands Welcome Center on Long Wharf. Jane created this artwork “For the Birds of Peddock’s Island” with handmade paper from invasive plants on Peddock’s Island (Common reed, Oriental Bittersweet Vine and Japanese Honeysuckle Vine). The handmade paper birds in this artwork were created by many public participants during a weekend workshop on Peddock’s Island. The birds in the artwork represent 6 endangered species of water birds on Peddock’s Island (Lesser Tern, Double-crested Cormorant, American Oystercatcher, Great Egret, Spotted Sandpiper and Black-crowned Night Heron). This artwork will remain on view at the Islands Welcome Center, and it can be seen up close when the Center is open during the day and at night through the large lighted glass window. Thanks again to the wonderful volunteers who helped with the papermaking on Peddock’s Island and to the many visitors who came to participate in the public activities and contributed their handmade paper birds to this installation artwork for the Boston Harbor Now Foundation and the Boston Harbor Islands National and State Park.

These photos are by my husband Timothy S. Allen (allentimphotos2.wordpress.com).

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Making Trees

13 Friday Dec 2013

Posted by janeingramallen in Uncategorized

≈ 3 Comments

Tags

installation, Oregon, papermaking, pulp, sculpture, Sitka Center for Art & Ecology, Sitka Spruce, trees

Image

During my artist in residency at Sitka Center for Art & Ecology from Oct. 16, 2013 – January 10, 2014, one of the things I have been working on is a multi-part installation of suspended handmade paper sculptures inspired by the tall Sitka Spruce trees in the area.  We took a trip up into the national forest land nearby and saw a whole forest of the tall evergreen trees, and the atmosphere was very special.  We were told that these trees came back after a big fire in the 1960s that destroyed most of the trees.  It is a wonderful place, and I wanted to create an installation of many trees that would be made from the materials of the place.  The handmade paper is made from Sitka Spruce bark collected there and prepared at the Sitka Center studio where I am working now.  The bark from these trees is easy to collect from the ground around the trees because chunks of bark fall off from the birds or other animals or the tree just shedding.  I also found one tree nearby that had been trimmed and was able to collect some bark there.  The other pulp used for these trees is from the marsh or wetlands in the Salmon River Estuary that is nearby the Sitka Center.  The plant I used is the Sitka Sedge, and I collected some leaves from this sedge and prepared it into pulp.  When I cooked and beat this one to a pulp, I was so excited that it was a beautiful green color that looked just like the moss growing on the Sitka Spruce trees.  Even thought the pulp dries to a lighter tan color it is still a good contrast to the very dark rich brown of the Sitka Spruce pulp.  These photos were taken by Timothy S. Allen and one shows me making a tree in the Boyden Studio space at the Sitka Center, and the other photo shows a couple of them hanging in the space.  I plan to keep making more trees and make as many as I can during the residency and then find a place to install them for an exhibition.

Image

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