• About
  • Bio and Artist Statement of Jane Ingram Allen
  • Living Quilt for Nestucca Valley, installed on August 12, 2021, Summer Youth Art Program Project, Sitka Center for Art & Ecology, Otis, Oregon
  • Resume of Jane Ingram Allen

Jane Ingram Allen Art Projects

~ Recent Art Projects by Jane Ingram Allen in Hand Papermaking and Environmental Art

Jane Ingram Allen Art Projects

Tag Archives: pulp

Program about my Handmade Paper Art Around the World is Now Available Online

10 Friday Jul 2020

Posted by janeingramallen in Uncategorized

≈ 1 Comment

Tags

art installation, artist-in-residency, CA, fibers, GA, handmade paper, international art exchange, international residencies, Lancaster, Newnan, papermaking, plants, pulp, Santa Rosa, seeds, Taiwan, Tanzania, wildflowers

W

Just wanted to let everyone know that the Zoom program I did this past Wednesday, July 8, 2020, for Yolo Arts “Knowledge at Noon” is available to watch anytime online at this link: https://yoloarts.org/public-programs/

The program goes over my process of making paper from local plant materials and creating my handmade paper art at several different artist in residency projects in Taiwan and different countries as well as in the US. Hope you get a chance to see it and let me know what you think.

I am continuing to work in my studio here in our garage in Santa Rosa, CA, and I hope to be able to go out for other art projects later in this year or next. I am doing some individual consulting and one-on-one papermaking in my studio now. Let’s keep in touch by email at least. I look forward to hearing from you.
Take care and best wishes,
Jane

Like Loading...

Spring 2019 Papermaking Art Classes in Santa Rosa, CA

18 Monday Feb 2019

Posted by janeingramallen in Uncategorized

≈ 2 Comments

Tags

art, color and hand papermaking, environmental art, grants and artist residencies, handmade paper, papermaking, plant fibers, pulp, sculpture, workshops

Announcing Spring 2019 Papermaking Art Classes
with Jane Ingram Allen
at Studio Santa Rosa, 3840 Finley Ave., Santa Rosa, CA, Building 32, Studio 107
Contact Jane by phone 857-234-2432 or email info@janeingramallen.com

Learn in an environment surrounded by original artworks that were created using the techniques being taught in the workshops.

Class size is limited to 4 people, and all materials and equipment are provided.

 

 

About the Instructor:
• Award winning international artist and hand papermaking expert with 40 years of experience.
• Papermaking teacher and resident artist in Japan, Taiwan, China, Nepal, Thailand, Indonesia, Turkey, Tanzania, France, England, Brazil, and the US. Fulbright Scholar Award artist in Taiwan and Fulbright Specialist artist in Turkey.
• Trained in traditional Japanese papermaking in Japan, and taught papermaking while living in Taiwan and Asia for 8 plus years.
• Former Art professor at SUNY, Morrisville, NY, and College of St. Rose, Albany, NY. Former textile Arts instructor at Foothill College and Canada College in the San Francisco Bay Area.
• Taught papermaking workshops in US at Women’s Studio Workshop, Peter’s Valley School of Crafts, Morgan Conservancy, Sitka Center for Art & Ecology, Queens Botanical Garden, Brookfield Craft Center, Mass Audubon and others.
• For more information visit Jane’s Blog at https://janeingramallen.wordpress.com and her website at http://www.janeingramallen.com

Classes in Spring 2019

Introduction to Hand Papermaking: Explore Western and Asian techniques of hand papermaking including sheet forming, pressing and drying as well as techniques of laminating, embedding and watermarking. Learn how papermaking can be used for a variety of art creations (2-D and 3-D) and make an array of handmade papers using cotton, abaca, kozo and local plant fibers.
• Saturday, March 30, 10AM to 4PM.
• Fee: $125 – Materials and equipment provided

Color and Hand Papermaking: Create your own handmade paper with colored pulps using Western and Japanese techniques. Learn to use dyes and pigments to color pulp as well as natural dyes and the natural color of different plant fiber pulps. Your handmade paper can be used for painting or drawing with watercolors, inks, dry media, acrylics, oil, encaustic and other techniques, as well as creating the art with the colored pulp. We will create paper sheets up to 11” x 17” using a variety of fibers that have unique textures and colors. We will learn pulp painting and other techniques for creating imagery with paper pulp as well as applying mixed media painting techniques on the handmade paper.
Saturday, April 27, 10AM to 4PM.
• Fee: $125 – Materials and equipment provided

Plants to Paper: Learn how to make handmade paper from local plant waste materials such as leaves and bark of common local plants. This class will cover how to make paper from “scratch” using materials found locally and easily available equipment and supplies and sustainable methods. We will identify, gather, cook, beat and form handmade paper from a variety of local plants to create unique place-connected handmade papers with a variety of natural colors and textures. We will create sample books and compile records and recipes for making paper from local plants.
• Saturday and Sunday, May 4 and 5, 10 AM to 4 PM each day
• Fee: $200, materials and equipment provided

Getting Grants and Residencies: Learn to find and make wining applications for a grant or residency. In this open session for all artists, with individual coaching and Q & A, Jane will share her experiences getting grants for residencies, public art projects and research and art making opportunities internationally. Jane has received grants from state, local and national foundations, arts councils, museums and public art commissions as well as three Fulbright Awards and grants to do artist-in-residencies in Japan, Nepal, Indonesia, Tanzania, China, Taiwan, Turkey and other countries as well as in the USA. Participants in this workshop, should bring examples/images of their artwork, a resume and artist statement and printed out information about any opportunities you are thinking about applying for. Bringing your own laptop would also be good for this workshop.
• Saturday May 11, 10AM to 4PM
• Fee $100

Sculptural Papermaking: Learn to make handmade paper sculptures and installation art using a variety of plant fibers and combining hand papermaking with various sculpture techniques, such as casting, embossing, molding, constructing, building over armatures and modeling. We will create handmade paper sculptures and mixed media works using pulps made from abaca, kozo (mulberry bark), cotton, and other locally collected fiber plants. Using three-dimensional techniques and natural colors and textures from the various plant fibers, expand your horizons and discover new possibilities in sculpture.
• Saturday and Sunday, May 18 and 19, 10AM to 4PM.
• Fee $200 – Materials and equipment provided

Papermaking Studio Rental: Jane’s Papermaking Studio is available for your personal use (weekdays or weekends) at a fee of $15/hour (minimum of 4 hours). To rent the studio you are required to take at least one workshop with Jane and attend a special session by phone or email about using the studio and materials. Jane will prepare materials and be there for consulting. You will have use of the studio space and Jane’s equipment. Materials cost will depend on what pulp and other materials from Jane are used and will be discussed at the studio session.

To Register for a class: contact Jane at info@janeingramallen.com or phone 857-234-2432.  Look for more classes to be announced here in Summer and Fall.

Like Loading...

Changes in the Living Quilt for Santa Rosa

04 Tuesday Dec 2018

Posted by janeingramallen in Uncategorized

≈ Leave a comment

Tags

CA, california wildfires, City of Santa Rosa, fire response, flower bed, flying geese, Fountaingrove Parkway, handmade paper, pulp, quilt, Rincon Ridge Park, Santa Rosa wildfires, seeds, wildflowers

  

These photos taken on Dec. 4, 2018, show how the public artwork “Living Quilt for Santa Rosa” is changing over time.   The photos were taken by Timothy S. Allen allentimphotos2.wordpress.com

We have had some rain in northern California in the last week, so the handmade paper quilt with seeds for wildflowers in the pulp is starting to dissolve into mulch.  The wildflower seeds will start to sprout and produce living blooming wildflowers in the same colors and pattern when it begins to get warmer.  The headboard and footboard of the bed woven from local branches continue to last well, and we have had no more damage from deer in the area.  It seems the bay leaves we wove into the structure do work to keep the deer away.

You can come to Rincon Ridge Park (off Fountaingrove Parkway at Rincon Ridge Drive) in Santa Rosa any time to see the artwork and enjoy this small city park.  This public artwork by artist Jane Ingram Allen is part of the City of Santa Rosa’s Fire Response art projects to remember the October 2017 wildfires in Santa Rosa and promote healing.  Check this Blog for further updates on the “Living Quilt for Santa Rosa” project.  Thank you again to all the volunteers who helped to make this artwork and participated in its installation on November 25, 2018.

Like Loading...

Making Trees

13 Friday Dec 2013

Posted by janeingramallen in Uncategorized

≈ 3 Comments

Tags

installation, Oregon, papermaking, pulp, sculpture, Sitka Center for Art & Ecology, Sitka Spruce, trees

Image

During my artist in residency at Sitka Center for Art & Ecology from Oct. 16, 2013 – January 10, 2014, one of the things I have been working on is a multi-part installation of suspended handmade paper sculptures inspired by the tall Sitka Spruce trees in the area.  We took a trip up into the national forest land nearby and saw a whole forest of the tall evergreen trees, and the atmosphere was very special.  We were told that these trees came back after a big fire in the 1960s that destroyed most of the trees.  It is a wonderful place, and I wanted to create an installation of many trees that would be made from the materials of the place.  The handmade paper is made from Sitka Spruce bark collected there and prepared at the Sitka Center studio where I am working now.  The bark from these trees is easy to collect from the ground around the trees because chunks of bark fall off from the birds or other animals or the tree just shedding.  I also found one tree nearby that had been trimmed and was able to collect some bark there.  The other pulp used for these trees is from the marsh or wetlands in the Salmon River Estuary that is nearby the Sitka Center.  The plant I used is the Sitka Sedge, and I collected some leaves from this sedge and prepared it into pulp.  When I cooked and beat this one to a pulp, I was so excited that it was a beautiful green color that looked just like the moss growing on the Sitka Spruce trees.  Even thought the pulp dries to a lighter tan color it is still a good contrast to the very dark rich brown of the Sitka Spruce pulp.  These photos were taken by Timothy S. Allen and one shows me making a tree in the Boyden Studio space at the Sitka Center, and the other photo shows a couple of them hanging in the space.  I plan to keep making more trees and make as many as I can during the residency and then find a place to install them for an exhibition.

Image

Like Loading...

Subscribe

  • Entries (RSS)
  • Comments (RSS)

Archives

  • April 2026
  • January 2026
  • December 2025
  • November 2025
  • September 2025
  • August 2025
  • June 2025
  • April 2025
  • March 2025
  • February 2025
  • January 2025
  • November 2024
  • September 2024
  • July 2024
  • May 2024
  • February 2024
  • December 2023
  • November 2023
  • October 2023
  • August 2023
  • July 2023
  • May 2023
  • April 2023
  • March 2023
  • February 2023
  • January 2023
  • December 2022
  • November 2022
  • October 2022
  • August 2022
  • June 2022
  • May 2022
  • March 2022
  • February 2022
  • January 2022
  • December 2021
  • November 2021
  • October 2021
  • September 2021
  • July 2021
  • June 2021
  • May 2021
  • April 2021
  • March 2021
  • February 2021
  • January 2021
  • December 2020
  • November 2020
  • October 2020
  • September 2020
  • August 2020
  • July 2020
  • June 2020
  • May 2020
  • April 2020
  • March 2020
  • February 2020
  • January 2020
  • November 2019
  • September 2019
  • August 2019
  • June 2019
  • May 2019
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • December 2018
  • November 2018
  • October 2018
  • August 2018
  • July 2018
  • June 2018
  • May 2018
  • April 2018
  • March 2018
  • February 2018
  • January 2018
  • December 2017
  • November 2017
  • October 2017
  • September 2017
  • August 2017
  • July 2017
  • June 2017
  • May 2017
  • April 2017
  • February 2017
  • January 2017
  • December 2016
  • November 2016
  • October 2016
  • September 2016
  • August 2016
  • July 2016
  • June 2016
  • May 2016
  • March 2016
  • February 2016
  • January 2016
  • December 2015
  • November 2015
  • October 2015
  • September 2015
  • August 2015
  • July 2015
  • June 2015
  • May 2015
  • April 2015
  • March 2015
  • February 2015
  • January 2015
  • December 2014
  • November 2014
  • September 2014
  • July 2014
  • June 2014
  • April 2014
  • March 2014
  • January 2014
  • December 2013
  • November 2013
  • October 2013

Categories

  • Costa Rica Residency 2023
  • For the Birds
  • Uncategorized

Meta

  • Create account
  • Log in

Blog at WordPress.com.

  • Subscribe Subscribed
    • Jane Ingram Allen Art Projects
    • Join 100 other subscribers
    • Already have a WordPress.com account? Log in now.
    • Jane Ingram Allen Art Projects
    • Subscribe Subscribed
    • Sign up
    • Log in
    • Report this content
    • View site in Reader
    • Manage subscriptions
    • Collapse this bar
 

Loading Comments...
 

    %d