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  • Bio and Artist Statement of Jane Ingram Allen
  • Living Quilt for Nestucca Valley, installed on August 12, 2021, Summer Youth Art Program Project, Sitka Center for Art & Ecology, Otis, Oregon
  • Resume of Jane Ingram Allen

Jane Ingram Allen Art Projects

~ Recent Art Projects by Jane Ingram Allen in Hand Papermaking and Environmental Art

Jane Ingram Allen Art Projects

Tag Archives: papermaking

November 2024 News from Jane Ingram Allen

25 Monday Nov 2024

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art, Crocker Museum of Art, exhibition, exhibitions, featured, fire and water, handmade paper, In Deep Water, jami Taback, Jane Ingram Allen, papermaking, pepperwood preserve, Sofie Contemporary Arts, travel, WEAD Women's Eco Art Dialog

Jane Ingram Allen, “Poppies in the Sky”, 2019

My artwork “Poppies in the Sky” is featured in FEMINA 24, a group exhibition of 15 selected regional female artists at Sofie Contemporary Arts, Calistoga, CA, https://gallery.sofiegallery.com.  The show opened on Nov. 7, 2024, and continues to Feb. 14, 2025. Sofie Contemporary Art is open on Calistoga’s main street from Thurs. – Sun. 11 am to 4 pm.  I am also happy to report that one of my works in the exhibition, “Poppies in the Sky”, has been purchased by a collector from Virginia visiting in the Calistoga area.

Jane Ingram Allen, “Pepperwood Leaves, 2022 installation

“Pepperwood Leaves – a Re-installation” is now on exhibition at Pepperwood Preserve, Santa Rosa, CA. My art installation is part of the group exhibition titled “The Majesty of Trees” curated by Ben Benson, Pepperwood’s Cultural Resources Coordinator, and the show will extend into January 2025.  My “Pepperwood Leaves” installation consists of multiple handmade paper Pepperwood tree (California Bay Laurel) leaves in shades of orange and purple with seeds for native grasses in the pulp.  This work celebrates the Pepperwood Tree that the Preserve is named after. This work was originally created in Fall 2023 as part of my Creative Sonoma, Art Surround grant project. This re-installation of the work is just outside the gallery entrance on the 2nd floor of the Dwight Center for Environmental Science, located at 2130 Pepperwood Preserve Road, Santa Rosa, CA 95404.  For an appointment to see the art gallery, email:  iluevano@pepperwoodpreserve.org  There will be educational programs and talks by the artists later in November and December. 

For more information about the Pepperwood Preserve art program and this exhibition: https://www.pepperwoodpreserve.org/project/the-majesty-of-trees/

“Living Leaf for Pepperwood Preserve”, 2022-23

“Living Leaf for Pepperwood Preserve” in WEAD online exhibition “Lands and Symbiotic Futures”.  My outdoor installation “Living Leaf for Pepperwood Preserve” was selected for the online curated exhibition of WEAD (Women Eco Artists Dialog) www.weadartists.org.  The exhibition is available for online viewing and runs from Oct. 2, 2024 into 2025.  My artwork “Living Leaf for Pepperwood Preserve” was also part of my Creative Sonoma Art Surround grant project at Pepperwood Preserve in Fall 2023, and was on view through January 2023 on the grounds in front of the Dwight Center at Pepperwood Preserve.  The work was a transformative piece with seeds for native grasses in the paper pulp that sprouted over time to produce an 8’ x 10’ living Pepperwood tree shaped leaf in the landscape.  This WEAD online exhibition titled “Lands and Symbiotic Futures” Is available for viewing at this link: https://www.weadartists.org/exhibitions

Zoom talks by some of the artists in the exhibition are scheduled for Nov. and Dec.  2024.  Visit the WEAD website for more information about the exhibition and the Artist Talks: https://www.weadartists.org/artistspresentations

Jane ingram Allen, “Legal Pad with Grocery List”, 1975

My work is added to the collection of the Crocker Museum of Art, Sacramento, CA. 

A curator from the Crocker Museum of Art in Sacramento, CA, recently visited my studio in Santa Rosa, CA, to see my work in person.  The curator was especially interested in my early feminist works in weaving and fiber arts from the 1970s when I lived in the South Bay and taught weaving and fiber arts at Foothill College and Canada College.  I also showed the Crocker Curator my later and current works in handmade paper that still make use of many fiber materials and techniques.  My work from 1975 “Legal Pad with Grocery List” is now part of the Crocker’s collection and will be featured in an upcoming exhibition at the Crocker about feminist works from the 1970s.  

“Jane Ingram Allen and Jami Taback, ”In Deep Water – Taiwan”, 2022-24

 “In Deep Water” with collaborator Jami Taback will be exhibited in NY State in Summer 2025.  Our “In Deep Water” installation artwork with handmade paper and printmaking will be exhibited at the Delaware Valley Arts Alliance Gallery, Narrowsburg, NY, June 28 2025 to August 3, 2025.   I am hoping to travel to Hawley, PA, where Jami moved in March 2024, to visit her and help with the site installation in nearby Narrowsburg, NY, and also participate in some public programs for this exhibition.  We were honored to be selected by the DVAA for this important slot in their 2025 exhibition schedule, since this is a time when many visitors come to the beautiful area along the Delaware River for the community’s annual Riverfest.  For more information see the website at https://delawarevalleyartsalliance.org

Jane Ingram Allen, Fire & Water 5, Burning Forest, 2024

My new Series “Fire and Water” continues.  My handmade paper series of works in 2024 using handmade paper, stencils, dye, burning and hole making continues with another piece that features burned tree trunks and orange and smoky blue handmade paper.  This work, #5 in the series, is about 4 feet square and hangs suspended in space to experience the holes and the translucent kozo fiber handmade paper.  

Jane Ingram Allen, Handmade Paper Sculptures – Bird Watching in Japan, 1999

New Papermaking Art Classes to be announced in 2025.  The Fall 2024 papermaking classes I taught at my Santa Rosa, CA, studio will be ending for the year with the Nov. 2 class in Sculptural Papermaking.  Watch for my next email in early 2025 with a Schedule of Spring 2025 classes in hand papermaking. 

All photos are by Timothy S. Allen, https://allentimphotos2.wordpress.com

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FIRE and WATER Series by Jane Ingram Allen

16 Monday Sep 2024

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blog, burned handmade paper, burned trees, Burning, climate change, dyeing, Japanese kozo Paper, paper, papermaking, textiles, water and fire, wildfires

“Fire and Water” is a new series of mixed-media handmade paper artworks that I have created in 2024 using dyed Japanese kozo fibers and abaca pulp with collaged threads, burning and hole making. This work focuses on wildfires, water and climate change, and is inspired in part by my experience of wildfires in Santa Rosa, CA,   in 2017, 2019 and 2021.  Also, I am living in an area where water is a continuing concern with long periods of extreme drought and water rationing as well as periodic flash flooding and rising oceans.  All of these are exacerbated by climate change.    

I use controlled burning of my handmade paper and natural fiber constructions to make unique patterns, holes and colors in the handmade paper I create using Japanese techniques and my own papermaking innovations.  The works hang suspended from the ceiling and the transparent paper and holes look great with light coming through. This work emphasizes that fire can be beneficial, beautiful, purifying and warming as well as destructive and terrifying. I feel that seeking harmony with nature should be our goal to help mitigate climate change effects and work together for a better environment.  

The series continues with more images coming soon.

Jane Ingram Allen, Fire and Water 1, 2024, artist-made kozo and abaca fiber paper, dye, fabric bits, thread, burning, 22 x 17 inches, photo by Timothy S. Allen
Jane Ingram Allen, Fire and Water 1, 2024, detail, photo by Timothy S. Allen
Jane Ingram Allen, Fire and Water 2 – Forest Fires, 2024, handmade kozo and abaca fiber paper, dye, thread, burning, 42 x 36 inches, photo by Timothy S. Allen
Jane Ingram Allen, “Fire and Water 2 – Forest Fires”, detail.
Jane Ingram Allen, “Fire and Water 3 – Burned Trees”, 2024, artist-made kozo and abaca fiber handmade paper, dye, acrylic paint, thread, burning, 34 x 24 inches, photo by Timothy S. Allen.
Jane Ingram Allen, “Fire and Water 3 – Burned Trees”, 2024, detail.
Jane Ingram Allen, “Fire and Water 4 – Yellow Hot”, 2024, artist-made kozo and abaca fiber handmade paper, dye, acrylic paint, thread, burning, 18 x 22 inches, photo by Timothy S. Allen.
Jane Ingram Allen, “Fire and Water 4 – Yellow Hot”, 2024, detail.
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FALL 2024 Papermaking Classes in Santa Rosa, CA

31 Wednesday Jul 2024

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CA art classes, Fall 2024, handmade paper, Jane Ingram Allen, papermaking, Santa Rosa

Fall 2024 Papermaking Art Classes

with Jane Ingram Allen

Location of Classes: Jane Ingram Allen’s studio at 5017 Maiden Lane, Santa Rosa, CA 95409, phone 857-234-2432, email: info@janeingramallen.com

Registration:  To insure your place in a class, send a check made out to Jane Ingram Allen for the class fee by mail to the address above, or use PayPal to “send money” to info@janeingramallen.com with a credit card.  Class size is limited to 5 people, and registration is confirmed after receipt of the class fee. If you need more information call or email me.

Schedule of Classes

Celebrating Kozo – Japanese Papermaking Techniques and Materials

Dates:  Saturday, Sept. 7, 10 am to 4 pm

Class Fee:  $175 (materials and equipment provided)

Learn to make paper with Japanese Kozo (paper mulberry bark) and other plant fibers in the Japanese way to make unique handmade paper that can be super thin but still very strong and used for everything from clothing to sculpture.  This class will use some of the recent Kozo fiber I ordered from Mino City, Japan, where I was an artist in residence for 3 months in 1999 and returned in 2009.  We will use an authentic sugeta (wooden frame and bamboo woven screen) as well as Western molds & deckles (wooden frame and nylon screening) and formation aid from powdered polyethylene oxide and from okra juice.  The class will cover preparing fiber, preparing the vat, adding formation aid, various ways of sheet forming and drying handmade papers as well as creative and unique ways to use the long fibers of the paper mulberry and other plants.  Information about getting kozo fibers and a Japanese-style sugeta as well as growing your own fibers for Japanese papermaking will be shared in this workshop.  No experience required, but some papermaking experience will be helpful. 

“In Deep Water” by Jane Ingram Allen and Jami Taback, kozo fiber handmade paper, thread, printmaking, dye, installed here at The Tides Gallery, San Francisco, CA

EXTREME Papermaking

Date:  Saturday, Sept. 28, 10 am to 4 pm

Class Fee:  $175 (materials and equipment provided)

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This class will stretch your imagination about the possibilities for handmade paper art.  It will cover many unique and some non-traditional EXTREME papermaking techniques including making really BIG paper, shaped handmade paper, pouring pulp, modeling pulp, burning handmade paper, tearing it and making holes and other techniques Jane has discovered and learned in places around the world.  Enrich your handmade paper art and expand its possibilities. This class is for beginners and experienced papermakers.  

Participants Making Really BIG Paper in EXTREME Papermaking Class in 2023

MORE EXTREME Papermaking

Date: Sunday, Sept. 29, 10 am to 4 pm 

Class Fee:  $175 (Materials and equipment provided)

This class is open to those who have taken my EXTREME Papermaking class in 2023 and 2024 and want to do more! This class will cover different MORE EXTREME papermaking techniques including making paper yarn and tubes, making sounds with paper, kinetic paper, living paper art installations and other more extreme techniques to enrich and enliven your handmade paper art. If you can think it, we will do it!  

Jane Ingram Alle, “Cosmos”, handmade paper from plants of Costa Rica, holes, thread, dye, gel,

Going Wild with Color in Hand Papermaking

Date:  Saturday, Oct. 12, 10 am to 4 pm 

Class Feet:  $175 (includes materials and use of equipment) 

This class will focus on using color in 2 and 3-dimensional hand papermaking art.  Learn to use non-toxic fiber reactive dyes and natural dyes from local plants and purchased sources to color paper pulps such as abaca, kozo, cotton and local plant fibers.  Learn about the advantages of using dye for paper pulp as well as using pigments.  Also, use papermaking fibers from local plants that have their own beautiful natural colors.  Go wild with color and explore using pulp painting, stenciling and other unique ways to introduce more color into your handmade paper art.  No experience necessary, though experienced papermakers will also learn many new and original coloring methods and techniques.  If you are a painter or like color in your work, this is the workshop for you. 

Jane Ingram Allen, detail of “Grid Play 2024”, handmade paper, dye pulp, thread

Sculptural Papermaking – Creating 3-Dimensional handmade paper art

Date:  Saturday, Nov. 2, 10 am to 4 pm

Class Fee:  $175 (materials and equipment provided)

This class will expand your papermaking into three dimensions by introducing various ways to make handmade paper sculptural forms, including use of molds, drying on 3-D surfaces, construction techniques, modeling with pulp and using armatures. Participants will create new sculptural works and come away with many ideas for handmade paper sculpture and installation art.  This workshop is for beginning and experienced papermakers and will expand your skills into the 3rd dimension and beyond.

Jane Ingram Allen, “Daily Scrolls”, handmade paper, recycled metal grid, dye, drawing, printing, painting, rolled handmade paper scrolls for first 81 days of the pandemic quarantine

Private Classes – Design Your Own Private Papermaking Class

Dates:   one day or two-day class to be arranged for private individual work with me, 10 am to 4 pm each day

Class Fee:  $500 for one day or $800 for two consecutive days

Contact me to design and schedule your own unique class to work in my studio on your next project.  This will be one-on-one learning in my studio using the equipment and supplies and pulps that you want to use from my stock, such as abaca, kozo, cotton blue jean pulp, specific local plant pulps that I can prepare or other materials you want to bring.  I will offer advice, encouragement, give suggestions and teach you ways of doing what you want for specific projects and works that you have in mind.  This will be more of a collaborative process and good for those who know what they want to achieve but don’t have a studio space or the equipment or the knowledge at this time to work entirely on their own.  Two days are recommended, but one-day private workshops can also be arranged.

About the Instructor:

Jane Ingram Allen is a multi-media artist who does art projects around the world using hand papermaking with natural materials and collaborative processes to raise public awareness about environmental and social issues.  Jane has received numerous awards for artist-in-residencies and community public art projects in the USA, the Philippines, Japan, Nepal, Brazil, China, Tanzania, Taiwan, Turkey, Thailand, Indonesia, Switzerland, England and Costa Rica.  She was a Fulbright Scholar artist-in-residence in Taiwan in 2004 and 2005 and a Fulbright Specialist in Turkey in 2015.  She received Puffin Foundation Grants in 2003, 2007, 2011 and 2022 to support her art installations in New York and MA. She has also received grants from the Foundation for Contemporary Arts, Ruth & Harold Chenven Foundation, NYFA, NEA, City of Sacramento, City of Santa Rosa, Sonoma Creates and other organizations around the world to support her work.  Jane begins her artwork by making handmade paper from local plant waste and using materials and techniques that contribute to sustainable living and improve the environment.  Jane is a former college art instructor and writes about art for SCULPTURE, Fiber Art Now and other art magazines as well as doing independent curating.  She also teaches workshops in papermaking and other arts and has taught at Women’s Studio Workshop, Sitka Center for Art & Ecology, Peter’s Valley School of Craft, Brookfield Craft Center, and Morgan Paper Conservatory as well as at colleges and universities, museums and art centers in the US and other countries. Since 2012 she has been based in Santa Rosa, CA, and continues her work in the US and internationally.

Contact Info:  

Jane Ingram Allen

5017 Maiden Lane, Santa Rosa CA 95409

Email: info@janeingramallen.com

Phone:  857-234-2432

https://janeingramallen.wordpress.com;  https://www.instagram.com/janeingramallen/

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More Photos from Taiwan exhibition of “In Deep Water”

08 Friday Dec 2023

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climate change, environment, installation, jami Taback, Live Forever Foundation, papermaking, printmaking, Taichung, Taiwan, water, workshop

The exhibition of “In Deep Water – We’re in This Together” at Live Forever Foundation Gallery in Taichung, Taiwan, opened on Saturday Dec. 2 and will continue on display till March 2, 2024. The work is part of “Water Says” curated by Iris Hong and includes the installation by Jane Ingram Allen and Jami Taback about water and climate change and works also about water from two Taiwanese contemporary artists. The opening reception offered a great chance for Jane and her husband Tim to meet many old friends again and for Jami and her husband Steve to experience Taiwan for the first time. Jane and Jami also conducted a one-day workshop on Sunday Dec. 3 at the Foundation to present their techniques in papermaking and printmaking used in this installation. These photos include some of the opening reception and some from the workshop. All photos are by Timothy S. Allen

Jane and Jami speaking at the opening reception.
Dancer performing at the opening reception.
View of “In Deep Water – We’re in This Together
View of papermaking workshop at Live Forever Foundation Gallery showing paper drying on windows.
Student making handmade paper at workshop.
Students doing printmaking on handmade paper at the workshop.
Burning holes in handmade paper at the workshop.
“In Deep Water – We’re in This Together” by Jane Ingram Allen and Jami Taback at Live Forever Foundation Gallery, Taichung Taiwan.
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“In Deep Water – We’re in This Together” opening reception Dec. 2, 3-5 pm at Live Forever Foundation, Taichung, Taiwan

01 Friday Dec 2023

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climate change, global climate change, innovation, Iris Hung, jami Taback, Live Forever Foundation, memory, papermaking, printmaking, renewable-energy, research, Taiwan, usa, water

The installation titled “In Deep Water – We’re in This Together” opens Dec. 2, 2023 at Live Forever Foundation Gallery, Taichung, Taiwan. https://www.live-forever.com.tw/foundation-news-content.php?page=1&index_id=75 The installation of handmade paper and printmaking by Santa Rosa, California, artists Jane Ingram Allen and Jami Taback, consists of 36 panels presented as a site-specific installation in the magnificent gallery space at Live Forever Foundation Gallery and aims to initiate some international dialogue about our global climate crisis and its effects on the water situation in countries around the world. Taiwan and California have different problems with water, too little most of the time in California and too much sometimes in Taiwan. Everywhere we are experiencing rising waters and temperatures, increased I’ve severity of storms and other effects of climate change. The installation is part of the exhibition “Water Says” curated by Taiwanese curator Iris Hung. Jane and Jami and their husbands are in Taiwan for 10 days to do the site-specific installation and attend the opening reception, present public programs and a hands-on workshop in papermaking and printmaking related to the environment and water. Thanks to the Live Forever Foundation for their support and enthusiasm for environmental art and how it can contribute to raising public awareness around the world about our current global environmental crisis. Here are a few photos of our “In Deep Water” installation in Taiwan. The Foundation also engaged a Taiwanese modern dancer to create a performance with our installation!

Taiwanese Dancer performing for the opening reception of “Water Says” exhibition and interacting with the “In Deep Water” installation by artists Jane Ingram Allen and Jami Taback.
Jane Ingram Allen and Jami Taback speaking with journalists about their “In Deep Water” installation at Live Forever Foundation Gallery in Taichung, Taiwan, on Nov. 30, 2023.
“In Deep Water – We’re in This Together” view of one side of the installation by Jane Ingram Allen and Jami Taback, at Live Forever Gallery, Taichung, Taiwan.

More photos will be posted on this Blog and other sites soon. All photos are by Jane’s husband Timothy S. Allen.

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“In Deep Water – We’re in This Together” opens in Taiwan

30 Thursday Nov 2023

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In Deep Water, jami Taback, Live Forever Foundation, papermaking, printmaking, Taiwan, timothy s. allen

The collaborative art project of Jane Ingram Allen and Jami Taback opens Saturday, Dec. 2, 3-5 pm at Live Forever Foundation Vital Space Gallery, Taichung, Taiwan. The site-specific installation about water and climate change is on display until March 2, 2024, at the gallery in Taichung. The installation in Taiwan is part of the exhibition titled “Water Says” curated by Iris Hung, and also featuring work by two Taiwanese artists about water and the environment. The two artists from Santa Rosa, CA will be in Taiwan until Dec. 5, when they return to CA. Jane and Jami and their husbands Tim and Steve are enjoying touring around Taiwan and meeting interesting people, eating great food and sharing their art. Here are a few photos of “In Deep Water” being installed at Live Forever Foundation in Taichung. The photos are by Timothy S. Allen. Follow this link for more info about the Live Forever Foundation: https://www.live-forever.com.tw/foundation.php

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Upcoming Art Exhibitions and Activities

25 Tuesday Oct 2022

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eco-art, fiber art, handmade paper, installation art, Jane Ingram Allen, papermaking, Santa Rosa

Here are some of the upcoming art activities and exhibitions I am participating in during the coming months.

Exhibition: In Deep Water – Rising at Gallery Route One Project Space, Pt. Reyes Station, CA. http://www.galleryrouteone.org/exhibitions This exhibition Oct. 8 – Nov. 13, 2022, features the collaborative work of Jane Ingram Allen and Jami Taback about water and the climate crisis. The show closes on Nov. 13, and there will be and artists talk at 4pm that day.

Workshop: Papermaking from Scratch with Local Plants at Fibershed Learning Center, Pt. Reyes Station, CA. https://fibershed.org/programs/education-advocacy/learningcenter/ Jane will lead participants through the entire process of making paper from local plant materials, from gathering plants to finished paper, in this two day workshop on Nov. 19 – 20, 2022. Enroll here: https://www.eventbrite.com/e/399100218497

Exhibition: “Bountiful Harvest”, at Iowa Center for the Book, Iowa City, IA. https://uicb.uiowa.edu This exhibition includes one of Jane’s Taiwan Site Maps, made with materials harvested in Taiwan. The group show Oct. 31 – Nov. 14, 2022, features artworks by selected members of International Association of Paper Making Artists (IAPMA) with a variety of artworks utilizing handmade paper and paper mulberry fibers and celebrating the concept of harvest.

Exhibition: “Off the Grid: Contemporary Fiber Art” at Yolo Arts Barn Gallery, Woodland, CA. This group exhibition includes two of Jane’s recent fiber art works, Daily Scrolls and No More Guns. The show runs from Nov. 10, 2022- to March 15, 2023. https://yoloarts.org/the-barn-gallery/

Exhibition: “In Deep Water – Turning the Tide” at The Tides Converge Gallery, San Francisco, CA. This exhibition features a new site specific installation of the collaborative work of Jane Ingram Allen and Jami Taback. The show opens with a reception 5-7 pm and artists talk at 5:30 pm. The gallery is located at the Presidio in SF (https://www.presidio.gov/places/tides-converge), and this exhibition is open during office hours 9 – 5 M-F until March 15, 2023.

Workshop: Papermaking from Scratch with Local Plants at Fibershed Learning Center, Pt. Reyes Station, CA. Jane will lead participants through the entire process of making paper from local plant materials, from gathering plants to finished paper, in this two day workshop on Nov. 19 – 20, 2022. Enroll here: https://www.eventbrite.com/e/399100218497

Exhibition: Living Leaves for Pepperwood Preserve at Pepperwood Preserve, Santa Rosa, CA. Jane received a grant from Creative Sonoma ArtSurround Program (www.creativesonoma.org) to create a site-specific installation at Pepperwood Preserve, a large nature preserve in Santa Rosa dedicated to land and environmental preservation. Jane’s project includes a large outdoor installation “Living Leaf for Pepperwood Preserve” sited in front of the Dwight Center and an indoor installation “Falling Leaves” in the Dwight Center Gallery. The exhibition opens with a reception on Dec. 1, 2022 and runs through March 30, 2023 and is open to the public – http://www.pepperwoodpreserve.org

Residency: Diamante Verte, Uvita, Costa Rica. Jane has been awarded a 6-week artist-in-residency in Costa Rica from Jan. 4 – Feb. 13, 2023. During the residency Jane will use local plants of Costa Rica to create a new series of handmade paper artworks and collaborate with choreographer Marie M’Alaya Saurat ( https://cieartevivi.wixsite.com/mariemalaya) who directs this artist-in-residency program in Uveta, on the Pacific Coast of Costa Rica.

IN DEEP WATER – RISING at Gallery Route One, Pt. Reyes Station, CA, through Nov. 13, 2022

Jane preparing plants for papermaking in Taiwan, 2005, method to be used in Fibershed Learning Center Workshop Nov. 19-20, 2022.
Jane making “Falling Leaves” for Pepperwood Preserve, Santa Rosa, CA, indoor and outdoor art installations Dec. 1, 2022 – March 30, 2023, at Pepperwood Preserve, Santa Rosa, CA.

Taiwan Site Map – Cash Receipts”, 2004, Made in Taiwan Fulbright Project, work included in exhibition at Univ. of Iowa Center for the Book, Iowa City, Iowa, Oct. 31- Nov. 14, 2022.
“No More Guns” 2019, work included in “Off the Grid” exhibition at Yolo Arts, Woodland, CA, Nov. 13, 2022 – March 15, 2023.
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Exhibition Opens in Pt. Reyes Station, CA

04 Tuesday Oct 2022

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climate change, environmental art, Gallery Route One, installation, jami Taback, Jane Ingram Allen, papermaking, printmaking, Pt. Reyes Station, water

“In Deep Water – Rising” an installation about water and climate change utilizing hand papermaking and printmaking by artists Jane Ingram Allen and Jami Taback opens Saturday, Oct. 8, 3-5pm, at Gallery Route One, Point Reyes Station, CA. There will be Artists Talks in the gallery at 3pm. The exhibition remains on view at Gallery Route One’s Project Space through Sunday, Nov. 13, 2022. There will also be closing remarks by the artists at 4pm on Sunday, Nov. 13. Gallery Route One is open 11am to 5pm, Thursday through Monday.

For more information: https://galleryrouteone.org

Here’s a photo of the installation at Gallery Route One, Pt. Reyes Station, CA, taken after installing on Oct. 5.

Jane Ingram Allen and Jami Taback, In Deep Water – Rising, 2022 (detail of installation), 2022, mixed media installation with hand papermaking and printmaking, thread, dye, ink, multiple suspended panels, dimensions variable.

Jane Ingram Allen and Jami Taback, In Deep Water – Rising, 2022, Gallery Route One, view, mixed media installation, hand papermaking, printmaking, thread, burning, multiple suspended panels, each about 1-2 feet wide and 8-10 feet long.

(Photos by Timothy S. Allen, https://allentimphotos2.wordpress.com).

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Jane Ingram Allen Summer Art News

29 Wednesday Jun 2022

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art projects, ecoart, handmade paper, installation art, Jane Ingram Allen, papermaking

Summer art activities include making handmade paper outdoors on my patio and assembling things indoors in my garage studio in Santa Rosa, CA, for upcoming exhibitions and public art projects.

I have been selected for Sonoma Creates Art Surround (https://www.creativesonoma.org/artsurround/) a new public art program that will partner artists with organizations in Santa Rosa and Sonoma County, CA, to create new site-specific artworks in public spaces working with the community. The project offers grants of $1000 to $10,000 to each of the selected artists to do one or more public art projects during the months of July to December of 2022. I should know in a few weeks what organizations I will be working with and where my installations will be sited. I hope to do more eco art installations with handmade paper and seeds in the pulp to change over time and work in harmony with nature. Here is a photos of my installation last year in Steckborn, Switzerland, titled “Living Quilt for Steckborn”.

Jane Ingram Allen, Living Quilt for Steckborn, installed in April 2021 and starting to transform, 8 feet x 10 feet x 1 foot, sponsored by Haus zur Glocke https://www.hauszurglocke.ch/home, Steckborn, Switzerland, handmade paper pulp, dye, seeds for wildflowers, soil, boards.
Jane Ingram Allen, Living Quilt for Steckborn, blooming in September 2021, 8 feet x 10 feet x 1 foot, handmade paper, dye, seeds for wildflowers soil, boards, installed in April 2021, organized by Haus zur Glocke and city of Steckborn, Steckborn, Switzerland.

Check back here soon for updates about the art installations I will be doing in Santa Rosa, California, and Sonoma County, California during the coming months.

Summer Workshops with Jane Ingram Allen in Oregon

Jane’s “Papermaking Around the World” workshops this summer at Sitka Center for Art & Ecology are both full. One session will be August 7 and 8, and another session will be August 9 and 10 at Sitka Center in Otis, Oregon, on the beautiful central Oregon coast. For more information about the programs at Sitka Center for Art & Ecology, see the website at http://www.sitkacenter.org

During these “Papermaking Around the World” workshops participants will be learning to make handmade paper using materials, equipment and techniques from countries around the world, such as Japan, the Philippines, Thailand, Taiwan, Tanzania, Indonesia, Brazil, Nepal and Turkey…all countries where Jane has been an artist in residence. Jane will be teaching more papermaking art workshops in her Santa Rosa, CA, studio during the Fall of 2022. Email her to be put on the email list for workshops and classes in hand papermaking: info@janeingramallen

Continuing work on Collaborative Art Project “In Deep Water“

Jane is continuing to work with printmaker Jami Taback on their “In Deep Water” Project. The installation of “In Deep Water” at Rowan University, Discovery Hall, Glassboro, NJ, is coming down at the end of August 2022. Here is a photo of one part of the multiple panels being created for this installation. Jane and Jami will be creating more handmade paper and printmaking panels for this ongoing installation art project about climate change and water.

Detail of “In Deep Water” panel, one sheet 18″ x 12″, handmade paper, dye, printmaking, ink

The next exhibition of “In Deep Water” will be Oct. 8 – Nov. 10, 2022, at Gallery Route One Project Space, Point Reyes Station, CA. http://www.galleryrouteone.org

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Another Papermaking Workshop in August at Sitka Center for Art & Ecology in Oregon

12 Sunday Jun 2022

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Oregon, papermaking, Sitka Center for Art & Ecology, Taiwan, workshop

Due to so many people wanting to take the class “Papermaking Around the World” Jane will be offering another workshop on this topic at Sitka Center for Art & Ecology, Otis, Oregon, on August 6 and 7, 2022. Jane will also be teaching Papermaking Around the World at Sitka Center, August 9 and 10, which is already full and with a waiting list!

See this link to register for the recently added workshop: https://www.sitkacenter.org/workshops/3317-papermaking-around-the-world

Taiwan Site Maps, created during Jane’s Fulbright Research Grant residency project in Taiwan, 2004-05.

Here is a description of the two-day Papermaking Around the World workshop.

In this workshop participants will learn about hand papermaking techniques, equipment and plant fibers used in different countries around the world (Taiwan, Japan, Nepal, China, Thailand, the Philippines, Bali Indonesia, Brazil, Tanzania and Turkey). The instructor will share her experiences as an artist in residence in these countries where she made handmade paper from local plants to create her handmade paper artworks. Participants will use such fibers as lotka from Nepal, kozo from Japan, abaca from the Philippines, palm leaves from Bali and Taiwan and banana leaves from Tanzania. The instructor will share images, sample books, fibers and equipment used around the world. Participants will learn to use Asian, Japanese, Nepalese and Western techniques for sheet forming as well as creative techniques on authentic and improvised equipment to achieve expressive and creative handmade paper art pieces. 

No prior papermaking skills required. This workshop is also suitable for experienced papermakers who want to explore new techniques and different fibers from around the world.

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