August Updates from Jane Ingram Allen

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Summer so far has been very busy!  It has also gotten very hot after a rather cool June.  I have been making new works and building a new papermaking mold and deckle for creating really BIG sheets of paper as well as having family visits and getting ready for teaching workshops and installing new exhibitions.

Educator Grant from Surface Design Association:  I received a 2023 Educator grant from the Surface Design Association to make a Portable Large Papermaking Mold and Deckle. I needed a large papermaking mold that could be transported in our car for the EXTREME Papermaking Workshop I am teaching at Sitka Center for Art & Ecology(www.sitkacenter.org), in Otis, Oregon, August 5 and 6.  The workshop is already full, and I am looking forward to working with these students at this beautiful place on the central Oregon coast.   

Here is a photo of the new portable folding papermaking mold that can make sheets of paper 7 feet x 3 feet using a pouring method.  This should be fun to use in the workshop – just one of the many papermaking techniques I will cover in this workshop that includes all sorts of inventive and EXTREME ways of making paper that I have discovered in my papermaking travels around the world.  I will now be able to use this foldable large papermaking mold and deckle for other papermaking workshops I will be teaching in Santa Rosa and surrounding areas.  

Article in Summer 2023 FiberArts Magazine:  Speaking of travel around the world my article “Papermaking Around the World” was just published in the Summer 2023 issue of FiberArt Now.  Here is a link for a summary of the article:   https://www.fiberartnow.net/summer-2023/

Scroll down to my article “Papermaking Around the World” and see an image of my Izmir, Turkey Site Map and read about my papermaking adventures as an artist in residence in 5 countries:  Costa Rica, Tanzania, Turkey, Bali and Taiwan.  The Summer 2023 issue can be ordered at www.fiberartnow.net

Izmir Site Map (front view), 2015, mixed media on handmade paper from plants of Izmir, Turkey, created during Fulbright Specialist Artist in Residency at Ege University Museum of Book and Paper Arts, Izmir, Turkey, 60″ x 48″ two-sided suspended installation.

Upcoming Exhibitions:  

Solo Exhibition in Mountain View, CA:  “Jane Ingram Allen – Papermaking Around the World” at Mountain View Performing Arts Center Lobby Gallery, August 15 – Oct. 2, 2023.  For more information:  https://www.mvcpa.com/events/lobby-art.

 This exhibition features a selection of handmade paper “site map” works I have made as an artist-in-residencies in countries around the world including Taiwan, Japan, Costa Rica, Brazil, Tanzania, Indonesia, Thailand, and the USA.  Exhibit hours are Monday, Wednesday & Friday, 12 p.m. – 1 pm, and one hour prior to every public performance.  See the Calendar of Events for performance dates and times: https://www.mvcpa.com/events/calendar

“Turning Over a New Leaf” (detail), 2000, mixed media participatory installation of 2000 handmade paper kozo fiber leaves made during artist in residency at Mino Paper Art Village Project, Mino City, Japan, 6 feet x 24 feet x 3 inches deep.

Exhibition in Taichung, Taiwan, Dec. 2, 2023 – April 2, 2024: “Jane Ingram Allen and Jami Taback – In Deep Water – We’re In This Together” will be a site-specific installation of collaborative work utilizing Handmade Paper and Printmaking by the two artists created in response to our present climate crisis and relating to water.  The exhibition will be in the Live Forever Foundation Vital Space Gallery, Taichung, Taiwan, and is curated by Iris Hung.  The show also includes works on water and the climate crisis by two Taiwanese artists.  Jane and Jami will travel to Taiwan in late November and stay for 10 days to create this installation of the ‘In Deep Water” project emphasizing that water and climate change are global problems.  The artists will present a Gallery Talk at the opening on Saturday, Dec. 2, and the public is invited.  The artists will also teach a hands-on workshop in Taiwan about papermaking and printmaking and their process for creating the 36 suspended panels of printed-on handmade paper joined with threads.

In Deep Water collaborative installation by Jane Ingram Allen and Jami Taback (detail), 2022-23, mixed media installation of handmade paper, thread, printmaking, ink, gel, burning and other materials, 36 panels each about 2 feet wide and 12-18 feet long, suspended site installation shown here at Sonoma Community Center in January 2022.

Article Published in Summer 2023 edition of FiberArt Now magazine

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FiberArt Now‘s Summer 2023 edition is out July 1, 2023, with my article “Papermaking Around the World.”  Scroll down at this link to see an image and summary of the article.

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Jane Ingram Allen and Seppo Hallavainio making a large sheet of handmade paper at Warm Heart Art Tanzania, in Arusha, Tanzania, January 2010. Photo by Timothy S. Allen

Living Quilt for Santa Rosa Lives On – 5 years after the Tubbs Wildfire

My art installation “Living Quilt for Santa Rosa” is blooming again for the 4th season, 5 years after the devastating Tubbs wildfire swept through this area in Santa Rosa, CA. It is great to see the golden poppies and blue bachelor buttons blooming at the same time when this photo was taken on May 27, 2023. The white alyssum flowers have already bloomed earlier in the Spring this year. The handmade paper quilt was made with dyed handmade paper pulp containing seeds for wildflowers in the same colors and pattern. The quilt pattern used was a traditional one called “Flying Geese” and the geese were in blue pulp with seeds for bachelor buttons and the white background had seeds for alyssum flowers. The borders for this strip quilt were made with paper pulp dyed the bright yellow-orange of California poppies and had seeds for poppies in the pulp.

This artwork was installed on Nov. 29, 2018, the year after the devastating wildfire (Tubbs Fire) that severely affected the Fountain Grove area as well as other parts of Santa Rosa, California. This artwork was done with the support of a grant from the City of Santa Rosa that asked artists to respond to the fire. I created “Living Quilt for Santa Rosa” with community participation and installed it at Rincon Ridge Park, Rincon Ridge Drive and Fountaingrove Parkway in northeast Santa Rosa, CA. When we installed this work and made the headboard and footboard with volunteers, we were all wearing masks due to the smoke still in the air and the polluted soil. There was also not any water in the park since the underground pipes had all melted with the heat of the wildfires that moved through this area. You can see the skeletons of burned trees and almost no houses still standing in the 2018 photo. In the 2023 photo there are many new houses that have been rebuilt on the hill behind the installation, and many bushes and trees are green again since water pipes have been replaced, and this year there has been lots of rain in California. The headboard for the “bed” fell down and was recycled into the earth after about three years, and the footboard is also starting to decompose and leaning heavily. The flowers continue to reseed and come back each year as the “living quilt” lives on.

These photos were taken by my husband Timothy S. Allen, and it is great to be able to continue documenting my art installation as it changes over time.

Jane Ingram Allen, Living Quilt for Santa Rosa, as installed on Nov. 29, 2018, at Rincon Ridge Park, Santa Rosa, CA, one year after the Tubbs Wildfire in October 2017. This art installation is made with handmade paper, seeds for wildflowers, dye, thread, branches, boards, potting soil, and its dimensions are 8 feet x 10 feet x 6 feet.

Jane Ingram Allen, Living Quilt for Santa Rosa, on May 27, 2023, at Rincon Ridge Park, Santa Rosa, CA, with golden poppies and bachelor button flowers in bloom for the 4th year since its installation. This public artwork was supported by a grant from City of Santa Rosa Public Art.

Jane Ingram Allen is on Helen Hiebert’s Podcast “Paper Talk”

Jane was invited by Helen Hiebert, artist, author, teacher and papermaker, to appear on her monthly podcast called “Paper Talk”. Jane is the featured artist for April 2023. You can listen to the Podcast at this link: https://helenhiebertstudio.com/podcast/episode-106-jane-ingram-allen/

Here is an excerpt from the Notes that accompany the podcast with some images of Jane’s work:

Jane Ingram Allen is a sculptor and installation artist who uses hand papermaking with natural materials and collaborative processes to create  indoor and outdoor artworks that raise public awareness about environmental issues.  Jane has received numerous awards for residencies and community public art projects in the USA, the Philippines, Japan, Nepal, Brazil, China, Tanzania, Taiwan, Turkey, Indonesia and other countries.  She was a Fulbright Scholar artist-in-residence in Taiwan in 2004 and 2005 and a Fulbright Specialist in Turkey in 2015.  Jane is a former college art instructor and currently teaches workshops and writes about art for SCULPTURE and other art magazines as well as doing independent curating.  She was born and raised in Alabama and has lived in 7 different states and in Taiwan for 8 years. Since 2012 she has been based in Santa Rosa, CA, and continues showing her work in the US and internationally.

We talked about how she got into environmental art, which is so well suited for handmade paper. And we discussed several of her environmental installations.

Allen works often with seeds and paper, and her first project with seeds in the pulp was titled Earth Quilt, created in 1995 (the 25th anniversary of Earth Day). You can see the progression of Allen’s work with students installing the piece on Earth Day 1995 at SUNY Morrisville in Morrisville, NY; the wildflowers starting to come up; and the field in full bloom several months after the quilt was planted.

Earth Quilt, 1995, 10 feet diameter, handmade paper, food coloring dye, seeds for wildflowers, photo by Timothy S. Allen.

Happy Earth Day 2023!

UPCOMING EXHIBITIONS

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Jane Ingram Allen has been invited by curator Maureen McNeil to show her work in the exhibition “Focus on the Flatfiles – the View from Red Hook” at Kentler International Drawing Space, Brooklyn, NY. The show opens on April 15 and continues through May 28, 2023. Jane’s work featured in the show is titled “Red Hook Site Map”, acrylic and collage on artist-made handmade paper created with materials collected in Red Hook during her 2003 residency at Kentler International Drawing Space. For more information: https://www.kentlergallery.org/Detail/exhibitions/544

Jane Ingram Allen, Red Hook Site Map, 2003, mixed media with paint and collage on artist made handmade paper created during residency at Kentler International Drawing Space, Red Hook, Brooklyn, NY, 6feet x 4 feet.

Jane has been invited to have a solo exhibition at Mountain View Performing Arts Center, Mountain View, CA, titled “Papermaking Around the World” that will feature a selection of handmade paper and mixed-media works Jane has created at artist in residency projects in over 15 different international countries as well as in the US. The show will open August 15, 2023 and continue through October 2, 2023. This exhibition is in the lobby of the historic performing arts center in downtown Mountain View. For more information: https://www.mountainview.gov/depts/cs/mvcpa/subsite/events/visual_arts.asp

Jane Ingram Allen, Sitka Salmon River Estuary Site Map, 2015, mixed media two-sided construction of handmade paper, thread, paint, collage, created during artist in residency at Sitka Center for Art & Ecology, Otis, Oregon, 4 feet x 6 feet. Photo by Timothy S. Allen (allentimphotos2.wordpress.com)

Jane Ingram Allen and Jami Taback have been invited to exhibit their collaborative project “In Deep Water” in Taiwan at the Live Forever Foundation Gallery, Taichung, Taiwan, from Dec. 2, 2023 to March 2, 2024. Jane and Jami will go to Taiwan in late November to do the site specific installation of this large scale multi-part work about water and climate change using hand papermaking and printmaking. The artists will also give gallery talks and a hands-on workshop in Taichung, Taiwan, at the Foundation’s Vital Space Gallery. The exhibition is being curated by Iris Hung and will be in the Foundation’s large and beautiful light filled gallery with 20 foot high ceilings. The artists will make a site-specific installation of their work in Taiwan using approximately 35 panels suspended from the ceiling in the space so that viewers can feel immersed in the installation.

Jane Ingram Allen & Jami Taback, “In Deep Water”, 2021-23, installation view from October-Nov. 2022 installation at Gallery Route One, Pt. Reyes Station, CA, mixed media site specific installation of handmade paper, thread, printmaking, multiple panels, each about 1-2 feet wide and 9-15 feet long. Photo by Timothy S. Allen.
View of Vital Space Gallery, Live Forever Foundation, Taichung, Taiwan, showing where the “In Deep Water” project will be installed in late November 2023 and be on view through March 2, 2024.

Update on Papermaking Workshops by Jane Ingram Allen

Jane Ingram Allen just received an Educator Grant from the Surface Design Association (https://www.surfacedesign.org) to help with equipment for teaching workshops in papermaking art, and in particular to make a large size papermaking mold and deckle for teaching her workshops at Sitka Center for Art & Ecology August 5-6, 2023, in Oregon.  The papermaking equipment will be constructed by Jane to fit into a normal car so she can use it for other workshops teaching how to make really BIG handmade paper.  For more information about Jane’s papermaking art workshops: https://jiaclasses.wordpress.com

Here’s the Updated Schedule for Spring and Summer Papermaking Workshops 

Saturday, April 1, 10 am to 4 pm – Open Papermaking Workshop – Class Fee: $160 (includes materials and use of equipment)

Description: This workshop could be an introduction to hand papermaking for some, but I decided to make it an Open Workshop so that each participant can focus on whatever aspect of papermaking they are really interested in.  I will work with each participant to help them individually on specific aspects of papermaking art.  The emphasis will be on creative use of local supplies and improvising to find what you need and create the paper you want for art and other uses. Participants will come away with many new ideas about handmade paper as well as an array of handmade papers in natural and dyed colors that can be used for drawing, painting, collage, printmaking, sculpture, mixed media and fiber works. Papermaking is an exciting way of using natural plant fibers and combines well with many other techniques. This workshop is for beginners and experienced papermakers who want to learn more about making handmade paper. 

Saturday, May 6, 10 am – 4 pm – Sculptural Hand Papermaking – Class Fee: $160 (includes most materials and use of equipment)

Description: This workshop will expand your papermaking into three dimensions by introducing various ways to make handmade paper sculptural forms, including use of molds, drying on 3-D surfaces, construction techniques, modeling with pulp and using armatures. Participants will create small sculptural works and come away with many new ideas for handmade paper sculpture and can continue using handmade paper to create sculptures and installation art. This workshop is for beginning and experienced papermakers and will stretch your imagination and skills into the 3rd dimension and beyond.

Saturday, June 3, 10am – 4 pm – EXTREME Papermaking – Class Fee – $160 (includes materials and use of equipment)

Description: In this workshop we will do some indoor and outdoor EXTREME and Experimental Papermaking using a variety of pulps such as kozo (paper mulberry bark), cotton blue jeans, sisal, flax and abaca as well as at least one plant fiber gathered locally.  We will do such things as make really big paper using pouring methods, make really thin but strong paper using Japanese techniques, make thick sculptural cast paper, burn handmade paper using a flame retardant, make holes, tear and shred paper, make paper that moves and produces sounds and blend some strange and exotic pulps for special effects.  Come prepared for some extreme experimental papermaking to produce unique handmade paper for artwork of all kinds.  This workshop is suitable for beginning and experienced papermakers and promises to challenge you to stretch and expand your ideas about papermaking.  

Additional Spring & Summer Workshops in other places:

Papermaking from Scratch using local plant fibers, at Fibershed Learning Center, Pt. Reyes Station, CA,
2-day workshop: Saturday & Sunday, March 11 & 12
10 am to 4 pm each day.
eventbrite.com/e/473025982447 or contact Fibershed Learning Center at learningcenter@fibershed.org – Cost $320 (includes supplies).  

Note:  This workshop was great in spite of the two days of rain, and we made handmade paper from 7 different local plants! 

EXTREME Papermaking, at Sitka Center for Art & Ecology, Otis, Oregon, 2-day workshop: Saturday & Sunday, August 5 & 6, 9am – 4pm each day. Register at http://www.sitkacenter.org/workshops – Cost $240 (includes supplies).

To register for a Workshop:  Send check for class fee by mail to Jane Ingram Allen, 5017 Maiden Lane, Santa Rosa, CA, or pay with PayPal using a credit card at www.paypal.com.  Click on Send Payment and send class fee to info@janeingramallen.com  I will contact you by email when I receive your registration.  Classes are filling up fast and enrollment is limited to no more than 5 people in each workshop.

Hope to see you in an upcoming workshop!  Would love to hear from you, and thanks for your interest in my work.  See more of my work on my site at https://janeingramallen.wordpress.com and my older work at www.janeingramallen.com

Jane making handmade paper Pepperwood tree leaves for her installation at Pepperwood Preserve in Santa Rosa, CA. The exhibition at the indoor gallery comes down on April 1, 2023, and her large outdoor sculpture installation at Pepperwood continues to grow!
Making really big paper (8 feet long and 3 feet wide) at Jane’s EXTREME Papermaking workshop in April 2022 in Santa Rosa, CA.

Final Weeks of My Artist in Residency in Costa Rica

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I just returned from spending 6 weeks in Uvita, Costa Rica, for an artist in residency project at Le Diamonde Vert, home of French choreographer/dancer Marie M’Alaya Saurat. My husband Tim and I are happy to be home, but it does seem cold here in Northern California compared to the hot humid weather in Uvita. I am compiling my research on the papermaking and the local plants I used in Costa Rica and finishing up a few works I started there duringthe last week or so. We spent a couple of days in San Jose, Costa Rica, before our flight home, and it was great to have luxurious warm showers, a huge bedroom, nice restaurants and a beautiful pool on the premises.

During the residence in Uvita I made paper from 6 plants: Plantain Leaves (Musa x paradisia), Shell Ginger Leaves ( Alpine zerumbet), Corn Husks (Mais), Leaves of a Roadside Grass (Papsalum saccharoides), Red Hibiscus Bark (Hibiscus rosa-sinensis) and Black Mulberry Bark (Morus nigra). I think those are the correct scientific names, but it was really difficult during this residency to find anyone who knew about the local plants. Marie had one book on Plants of Costa Rica that was very helpful.

Making the handmade paper sample books.

During this residency I also used some kozo, abaca and blue jean pulp that I had brought with me in the suitcase, and I enjoyed combining the local fibers and this added pulp that I could process by hand and with the kitchen blender I also brought with me. I used a modified Japanese papermaking technique with formation aid and multiple dips into the vat, forming thin but still strong handmade paper. I enjoyed using the blue color from the blue jean pulp as well as the natural colors of the various plant fibers. The light in Costa Rica is terrific, and I experimented with making holes in the paper and joining the pieces of handmade paper with natural threads so that they move easily for dance and also are easier to fold and transport after the residency.

I also put together some artworks with the handmade paper of Costa Rica that I could bring back with me to show in California and other places. Here are some photos showing how I shaped and joined single sheets to make long suspended panels to take advantage of light coming through the handmade paper. I will continue working on this “made in Costa Rica” series of works and also doing some writing and interviews about my residency in Costa Rica.

Detail of putting together handmade paper with threads.

During the last few weeks in Costa Rica, my husband Tim and I also took a few excursions. One trip was to a nature preserve near Uvita that is up in the mountains where we could see different birds and different plants early one morning, and we also took an early morning trip to the national park beach area to see shore birds and animals…they said there were crocodiles and howling monkeys but we did not see any! We also took a one day trip about 2 hours away to Boruca village to see natural dyeing and weaving of the indigenous Boruca tribe of Costa Rica. That was an exciting journey over winding dirt roads, and we had lunch with Marina, a Boruca woman who is the expert and teacher of weaving, spinning and natural dyeing. We saw demonstrations of the natural dyeing to get an incredible variety of really bright colors on the cotton yarn that Marina also showed how to hand spin. The plants used in natural dyeing were all growing around her house so I was able to collect some samples and maybe can find out more about these plants. The weaving that Marina demonstrated is using a back strap loom with thread heddles and produces thick cloth for bags and straps that is sold in the village and at local markets. We encountered the Boruca tribal crafts first at the Uvita Farmer’s Market where they were selling their carved and brightly painted wooden masks, gourd art and the natural dyed hand woven bags and straps.

During the last week Marie and I worked together more to create a collaborative dance performance piece that will make use of some of my handmade paper and thread constructions at a performance art festival in May in Havana, Cuba. Marie will take the handmade paper and thread constructions I made folded up in her suitcase for the festival in Cuba. Here are a few photos showing the collaboration and creative process of working with a dancer to create a collaborative work about water and rivers. It was the first time I actually made my art for dance, as other earlier collaborations with choreographers were from them seeing an installation I had already done and then creating dance to go with it. I will post more here about the “way of water” festival in Cuba and hopefully get some good video from Marie of the performance in Havana.

Marie and Jane looking at the handmade paper and thread constructions made for the dance performance.
Marie and Jane looking at the handmade paper constructions and Marie making sounds on the paper.
Marie improvising dance movements with the handmade paper constructions.
Marie dancing with the handmade paper.

Overall, this residency was a great chance to see Costa Rica, use new plants for papermaking and experience a different culture as well as collaborate with a dancer/choreographer to make new work. It was a difficult residency in that Marie’s place is not set up for anything but dance. There is a large wooden dance porch area, but there is no space for a visual artist. Our bedroom was very small and upstairs with no access to water. I did all my work on one table on the narrow tile porch along the side of the house and the pulp cooking out in the yard. Marie’s house is far from parks or beaches or stores, and we used lots of taxis. I had to buy vats/large plastic tubs, buckets, and any thread I could find in local stores. I also had to find and buy a hot plate to cook fibers as Marie had no way to cook anything outdoors, and I could not use the small kitchen we used for making our food. Marie did have a large stainless steel cooking pot that I was able to use, and I brought everything else needed for papermaking in my suitcase. Marie’s yard had all of the plants I used, but more would have been nice to try if I had access to other areas. I have learned from experience being an artist in residence in many different countries to bring the essentials and find something that can work locally. The most difficult thing was finding an alkaline that would work for cooking the paper pulp. I finally found some lye in a big local supermarket and was able to use that to cut down on the cooking time and make the plant fibers soft and easy to beat by hand and with my kitchen blender. I was happy with the work I was able to do there, and Costa Rica is a beautiful country.

Beautiful tropical flower, I think a “Bird of Paradise” relative, seen on trip into the mountains outside Uvita.

Continuing Residency in Costa Rica – 4th week

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I am continuing to make my handmade paper artwork in Uvita, Costa Rica, and this is the end of my 4th week as an artist in residence at Le Diamante Vert, with choreographer and dancer Marie M’Ayala Saurat. This morning Marie and I worked together with some of the handmade paper pieces to think about the choreography she will create to go with the handmade paper artworks. At the Facebook page of Marie she has put up some video and images of us working together this morning with some of my “made in Costa Rica” handmade paper artworks. Marie and I are doing a collaboration with handmade paper art and dance/movement, and this work will be presented live for the first time in May 2023 in Havana, Cuba, by Marie at a festival where she has been invited to present this new work about water and the healing flow of water for life. Check the link from Marie’s facebook paper here:

This week I also made paper with a local grass that is growing along the side of the road in front of Marie’s house. This grass is bright green, and I noticed a local horse eating it! I have made paper from long-leafed grasses in many different places around the world, so I thought this one would be good to try in Costa Rica. The paper is a nice green-yellow color and it forms pulp without too long a cooking time or too much beating by hand. It is, I think, a grass with the scientific name of Papsolum sacharoides. I used the leaves and took out the hard white center stem to make paper for my artwork in Costa Rica. Here are some photos of the plant and the process of making the paper pulp from this local grass.

Beating the cooked and washed grass to a pulp!
My husband Tim picking the grass along the roadside in front of Marie’s house in Uvita, Costa Rica.

This week we also took an early morning tour to a nature preserve for some bird watching. See many of Tim’s bird photos taken in Costa Rica on his site at allentimphotos2.wordpress.com Tim has been with me for this residency to document my art project and also is having a great time taking photos of all the many interesting birds we can see in Uvita and near here. One of the sites on the bird watching tour that I enjoyed seeing was an old sugar mill there in the middle of the rain forest. I was told it is being repaired and will be used to make some special liquor with the crushed and cooked sugar cane. Here’s a photo of the wood-fired sugar mill in the forest.

Old sugar mill at the nature preserve near Uvita, Costa Rica

Also, this week one of the things I did was make handmade paper and put it to dry on the large sacred tree growing from Marie’s deck. After the paper was dry I removed it to capture the many three-dimensional markings on the old tree. I put the six sheets all together to form a long panel that Marie may use for part of her choreography about water and the flow of life.

Handmade paper drying on the old scarred tree to capture its texture.
Detail of handmade paper drying on tree at Marie’s place Le Diamant Vert in Uvita, Costa Rica

Putting the 6 sheets of handmade paper dried on the tree together with natural string from Costa Rica; this work can fold up for easy packing to take to Cuba for Marie’s performance in May 2023.

This photo shows one of the panels of “water” handmade paper put together with natural thread of Costa Rica that will be used in the performance work.

This image shows Marie’s cat lounging on the handmade paper artwork. The cat seems to like hanging out with me and the hand papermaking process even though it involves lots of water!

Marie’s cat napping in the handmade paper artwork.

3rd Week of Costa Rica Residency

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I am enjoying an artist in residency in Costa Rica at Le Diamant Vert (Green Diamond) in Uvita on the southwest Pacific Coast of Costa Rica. It’s a beautiful place with wonderful beaches and tropical plants. I am continuing to make paper from some of the local plants and also doing mixed media constructions with thread and other natural materials and a bit of painting on the collaged handmade paper constructions. I am creating some paper and thread sculptural constructions inspired by my time in Costa Rica that my host Marie M’Ayala Saurat, a choreographer will use in performance works. My husband Tim continues to take photos of my art project as well as doing some bird watching and photography of birds we see every morning here. See his site at https://allentimphotos2.wordpress.com.

Here is one of my pieces hanging on the dance platform/deck at Le Diamant Vert. I am making several hanging pieces that may be worn, used as props or provide setting for the modern dance work of Marie. Check back for more photos and news about my residency.

Detail of hanging construction with handmade paper made in Costa Rica
Peeling bark to make handmade paper in Costa Rica
Cooking peeled bark from what I think is a black mulberry tree near the house in Costa Rica. The handmade paper turned out great from this plant…a great color and texture and very strong.
Handmade paper with coconut palm fibers drying on a clothesline at Le Diamant Vert. This piece has some blue jean pulp from indigo dyed cotton and paper made from corn husks I cooked up and processed by hand in Costa Rica. Marie brings me objects from nature that she collects, and this is another way we are collaborating as I add many of these “treasures” to my handmade paper.