I will have several mixed media handmade paper artworks that I created recently at residencies in Point Reyes, California, and Sitka Center for Art & Ecology in a group show of Northern California Artists. The show is called “Transitions” and curated by Patricia Watts and will be at the Marin Community Foundation in Novato, CA from January 21 to May 15, 2015. The opening reception is Wednesday, Jan. 21 from 4:30 to 6:30 PM. Hope to see you there if you are in the Bay Area.
I am copying below the press release about this exhibition.
Marin Community Foundation Hosts “Transitions’”
Novato, CA (January 5, 2015)—The Marin Community Foundation will host an exhibition,“Transitions,” from January 21 to May 15, 2015, featuring thirty North Bay Area artists aged sixty years and older.
The exhibition will be held at the Foundation’s offices at 5 Hamilton Landing, Suite 200,Novato, CA.
A public reception will be held Wednesday, January 21st from 4:30 – 6:30 pm.
In early November 2014, a Call for Artists was made to North Bay counties including Marin,Sonoma, Mendocino, Napa, and Solano, for artists over sixty years of age whose recent work displayed some form of transition in their art or their life. Artists typically make several transitions throughout their careers, including changes in medium, changes in studio space,and changes in subject matter. The artworks selected represent transitions in the lives ofolder adult artists both metaphorically and literally.
This exhibition includes approximately one hundred artworks selected by three jurors:Megan Wilkinson, former Executive Director of the O’Hanlon Center for the Arts in MillValley; Satri Pencak, independent curator in Sonoma County and former curator of the Sebastopol Center for the Arts; and consulting curator for the Marin CommunityFoundation, Patricia Watts, former Chief Curator at the Sonoma County Museum in SantaRosa.
Artists Include: Jane Ingram Allen, Sonja Bakalyar, Yvonne Brown, Jan Buscho, Mima Cataldo, Ellen Levine Dodd, Holly Downing, Tim Graveson, Arlene Helfrich, Scott Hess,Bonnie Himberg-Mumford, Lars Johnson, Toni Littlejohn, Linda MacDonald, Lin Max,Catherine McCauley, Zea Morvitz, Elaine Nehm, Cayen Robertson, Elizabeth Sher, Susan Leibovitz Steinman, Jeremy Thornton, Patti Trimble, Shelia Tuffanelli, Sally Weare, Shane Weare, Barbara Winer, Stephen Whisler, Karen Worth, Kathleen Youngquist.
NOTE TO EDITORS: If you would like high-resolution images of these or other works by these artists, contact Vikki Garrod at 415.464.2527 or vgarrod@marincf.org.
About the Marin Community Foundation
The Marin Community Foundation is the primary center for philanthropy in Marin County,CA and is one of the largest community foundations in the U.S. It manages the assets of theLeonard and Beryl H. Buck Trust and over 450 funds established by individuals, families,and businesses. The Foundation makes significant improvements in communities aroundthe world in two ways: by spearheading initiatives for long-term, sustainable change inMarin, and by distributing grants from donor-advised funds locally, across the U.S., andaround the world. Now in its 28th year, the Marin Community Foundation has assets ofover $1.6 billion, with annual grant distributions of approximately $60 million.


Hi Jane
Congratulations for the show! Wish I could be there to see it “in the flesh”!
all best,
Maria
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Hi Maria,
Thanks so much and best wishes, Jane
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Your work is so beautiful!
Jill
Jill Littlewood
http://www.littlewoodstudios.com
435 E. Pedregosa Santa Barbara, CA 93103 (805) 898-9260 (home) (805) 448-2045 (cell)
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LOOKS very gossamer, do you have dimension or is this flat.. looks like it is iridescent.
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Hi Roy,
Thanks for your comments. These are suspended two-sided works and they are more or less flat because sometimes the paper is dried on something in the local area like tree bark or side of a building and gets some 3-D from that. In this show unfortunately I will have to hang them flat on a wall so visitors will not get to see both sides or experience their translucent quality with the light coming through. This is one of the problems when doing exhibitions in a workplace gallery! The handmade paper is joined with thread and it does have a gossamer transparent look because the paper is made in the Asian way (thin but strong), and the thread adds another dimension as well as being functional to hold everything together….I like the modular grid system and can build very large works that fold up for easy travel and storage. The Pt. Reyes Map is an irregular shape as you can see and about 6 feet long and 4 feet wide. The other Salmon River Estuary Site Map is more rectangular but still irregular –has the coastline and the line of the mountains in Oregon and the Salmon River running through. It is about the same size. The color is sometimes the natural color of the pulp made from local plants in each place and sometimes acrylic paint used as a wash, but nothing is iridescent paint…just the light coming through makes it look that way I think. Anyway, wish you could be here to see them in person!
Thanks and best wishes,
Jane
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Jane, your work is always so wonderful – and I a sure it was even more so in exhibit. I got to meet Patricia Watts – she actually came to my opening of “Hemp and Pots – Grass and Trees” here in Springfield back in October. Hope all is well. Take care, Mimi ❤
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Thanks so much, Mimi. Your work must be wonderful too in person and I hope to get to Missouri one of these days! It’s great to hear that you met Patricia Watts and she came to your opening. She is a good supporter of eco-art too! We will keep in touch and thanks again, Jane
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Hi Jane,
Today Susan Hersey and I confirmed that we’ll make it for the reception next Wednesday. Already looking forward to it!
Best regards,
Jan Freeman Long
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Great, Jan, and looking forward to seeing you and Susan there!
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Congratulations! You have always been an inspiration to me!
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Thanks, Marie, and hope to see you when I am on the East Coast again later in the summer. Best wishes, Jane
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